prometheus.
there are stories that will not be told.
a woman who has sacrificed her voice to be respected. a ‘straight white man’ grappling with the gravity of his privilege. a disabled trans man placing his trust in the world to see him. three stories are woven together by the enduring myth of ‘prometheus.’ – the titan who created us out of clay.
‘prometheus.’ celebrates the importance of storytelling and the bonds that unite us. in an explosion of music, poetry, and myth, three performers and one musician unravel the threads of power, identity, and what it means to be human.
WINNER Adelaide Fringe Best Theatre 2025
★★★★★ “Watching this performance was like being cracked open.” – Fringefeed 2024
touring
cast & crew
lead artist & director
co-producer
performer
robbie fieldwick (he/they)
playwright
co-producer
performer
emmett aster (he/him)
performer
rachel abelha (she/her)
sound design & composition
performer (music)
benjamin vaughan (he/him)
marketing managers
daisy finch (all pronouns)
tea lowry (they/she)
official reviews
this theatre production is a hidden gem of fringe world festival, meaty and profound.
in the intimate surroundings of dadaa theatre, three actors, plus an acoustic guitarist and singer, weave poetry, music and movement into an unmissable performance. more than just a modern retelling of the myth of one of the most famous titans of greek mythology, prometheus forces you to examine your relationship to your body, to fire, to your voice, to life itself.
watching this performance was like being cracked open, blood and bone and fat spilling out of me. there were tears, snaps of fingers and cheers as the performers filled the stage with their presence and emotionally brutal words and depictions…
‘prometheus.’ is intimate, deeply personal and thought-provoking. you’ll find yourself ruminating on this for hours if not days and encouraging your friends and family to see it in the nights that follow.
‘prometheus.’ is a fantastic dive into a well-known story giving fresh perspective and a fantastic delivery. these storytellers are vivid, imaginative, and show fantastic artistic expression joined with a great team.
if we’re all mirror-images of prometheus, what about the women? how does a disabled trans man fit into the narrative? or the straight white male, who wants to reject the toxic masculinity projected upon him? in other words, in a world of gods and monsters and men, what about everyone else?
emmet[t] aster’s script is a thing of beauty: detailed and lyrical, it snakes through the book-laden space of the circulating library to provoke and comfort. the simplicity of spoken word performance has inspired the production, with a cast that take a regular fourth wall breaks to talk through their process and explain what’s coming next.
delving through examinations of the importance of body, fire, and one’s own voice, the poetry-meets-script style works well to explore the topics in an interesting way… the live music adds interest and dimension through the piece, with lyrics that are additive to both the mood as well as the points being emphasised.
this is a show i would recommend catching if it crops up again. it is a well-crafted link between mythology and the modern condition, and one that will leave the audience thinking about their own side of the well-presented story.
audience testimonials
i saw this show at the adelaide fringe 2 weeks ago now & i still can’t stop thinking about it. i’m still trying to tell friends to go see it. more, please. of the shows i saw this fringe, this was the best original storytelling & most impactful.
get. your. butt. to. see. this. show. that is all. it’s vulnerable, powerful & beautifully written. pick of the fringe so far.
a show that made me weep and rage but also hope. a magnificent performance by all involved. storytelling at its finest.
‘prometheus.’ is another of perhaps, a theatre company.‘s shows that have left me feeling just as vulnerable as the writing. an absolutely beautiful show with a gorgeous soundtrack and just the right amount of introspectivity. loved this one a lot.
a heartfelt retelling of the myths of prometheus and how your own identity is connected, but that’s not the whole story. if you love wright & grainger’s work, definitely check this show out!
a powerful piece of theatre with some truly engaging performers. their stamina to deliver a show that was pretty much just one big poem is something to be commended! they had me smiling from ear to ear at some moments, and deep in thought in others. the music is also out of this world good. a celebration of humanity that is not worth missing, amazing show!
woah. gonna need a script and soundtrack released. and a filmed version. would watch this over and over and over and –
emotionally brutal and incredibly personal, it had me in tears multiple times. the whole thing will have you in goosebumps and reflecting on how you perceive the world.
a poignant and pointed piece portraying the parable of prometheus reinterpreted with the problems of present-time people. priceless!
wow… prometheus masterfully creates a captivating atmosphere with its alluring set design and impressive lighting, drawing the audience into a profound journey. the poignant, powerful poetry resonates deeply, leaving a lasting impression that lingers long after the performance. the music is nothing short of extraordinary, perfectly complementing the production and maintaining a flawless balance that keeps the audience fully immersed throughout. the performers deliver exceptional portrayals, bringing depth and passion to their characters, which further elevates the overall impact of the show. This show is a must see for any theatre goer!
young creatives like the ones behind ‘prometheus.’ need to be seen and heard. 10/10. can’t wait to see what they do next.
original cast & crew
performers
rachel abelha (she/her)
hunter perry (he/him)
emmett aster (he/him)
live musician & sound design
benjamin vaughan (he/him)
lead artist & director
robbie fieldwick (he/they)
playwright & producer
emmett aster (he/him)
assistant producer
mary castle (she/her)
stage manager
dana brennan (she/her)
set and costume designer
& assistant stage manager
tea lowry (they/she)
marketing manager
demelza walkey (she/her)
publicity manager
abi russel (she/her)
devisers
tate bennett (he/him)
rachel abelha (she/her)
emmett aster (he/him)
robbie fieldwick (he/they)
mary castle (she/her)
dana brennan (she/her)
tea lowry (they/she)
demelza walkey (she/her)